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玛(mǎ )丽亚·(🔶)卡拉(👻)斯(sī )，20世纪最伟大(💖)的女(💀)高音(yīn )，被誉(yù )为(🥋)“歌剧(🆎)女神”，她(👸)那美(měi )妙(🥚)动人(rén )的歌(🐽)喉(hóu )演唱(🎭)了《托斯卡》、(🔘)《卡门》等无数经典之作(👟)。她与希(xī )腊船王(wáng )的(📠)爱情(qíng )悲歌、与(🈷)杰奎(🖌)琳·肯尼(ní )迪从(⚫)未(wè(🍔)i )谋面但(dàn )命运相(💗)连的(🥌)纠葛，亦(🔁)成旷(kuàng )世(㊗)绝唱(chàng )。2017年，卡(👏)拉斯去世(📚)四十(shí )周年(🧢)之(zhī )时，导(dǎo )演汤姆·(🤼)沃尔夫历(lì )经五(🐱)年(niá(🧣)n )走访卡(kǎ )拉斯的(🍈)(de )生前(🖌)好友、相关(guān )人(🗑)士，发(🛣)掘并(bì(👽)ng )使用了大(🏊)量从未面(mià(🏭)n )世的珍(zhē(🌾)n )贵私信(xìn )及(⬜)影像(xiàng )资料，拍摄制作(😌)了《卡(kǎ )拉斯：为(🦃)爱而(📇)声》，以玛丽亚·卡(🐇)拉斯(🥩)(sī )自己的(de )视角，带(🛤)我们(🍷)走进她的(de )传奇人(🐠)(rén )生(🆕)。2018年(nián )，本(📹)片在近30个(🙂)国家(jiā )上映(🤟)，收获了(le )全球赞誉并引(👳)发了乐迷(mí )的怀念(nià(🗿)n )热潮。

Varun and Bhanu, both from different worlds, face challenges in their relationship.

本片讲述的(💋)是一(🌎)群(qún )年轻人(rén )在(🍽)生活(🐂)(huó )、社会(huì )、情(⛲)感的(🏝)重压之(🐂)(zhī )下，仍(ré(💠)ng )旧义无(wú )反(🐚)顾的追求(🚜)自己音(yīn )乐(🥓)梦想(xiǎng )的故事(shì )。

故事(🔹)(shì )改编自杰夫·(🍭)伯曼(💃)的同(tóng )名纪实(shí(🏆) )回忆(💆)录，讲述当年他在(🗞)终(zhō(😘)ng )点等待(dài )参赛的(⛎)(de )女友时，不幸(🚈)遭遇炸弹(🧗)(dàn )袭击，失去(🦐)双(shuāng )腿，并重新生活的(🍠)(de )个人经(jīng )历。

青(qīng )釬治(🌬)乱，倚天定国，长(zhǎ(🐀)ng )久以(🍍)来(lái )，历代(dài )皇帝(🦁)都以(🏷)为只要得(dé )到青(🏻)釬(gā(🕠)n )和倚天(🤱)(tiān )两柄神(😢)剑就可夺得(🖲)天下(xià )，但(😪)却(què )无一能(🎟)(néng )识破两把宝剑的秘(💉)(mì )密。

Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.